8 rows · Discover releases, reviews, track listings, recommendations, and more about Louis /5(6). 78_do-you-know-what-it-means-to-miss-new-orleans_louis-armstrong-and-his-dixiland-seve_gbiab Local_id 4 Location Denmark Scanner Internet Archive Python library Scanningcenter George Blood, L.P. Size Source 78 User_cleaned Jake Robinson User_metadataentered Sean Gaston User_transferred Sean Gaston. Dec 29, · 50+ videos Play all Mix - Do You Know What It Means To Miss New Orleans - Louis Armstrong YouTube Louis Armstrong - Basin Street Blues - .
With his instantly-recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes.
He was also skilled at scat sing… Do You Know What It Means To Miss New Orleans - Louis Armstrong - Special Louis Armstrong (Cassette) more.
Coming to prominence in the s as an inv… read more. Coming to prominence in the s as an inventive trumpet and cornet player, Armstrong wa… read more. Similar Artists Play all. Trending Tracks 1. Features Exploring the local sounds and scenes at Noise Pop Fest. Albums of the latest and loved, and the ones to look out for discover By okspud1 15 Feb am. Sunday 23 February Monday 24 February Tuesday 25 February Wednesday 26 February Thursday 27 February Friday 28 February Saturday 29 February Sunday 1 March Monday 2 March Tuesday 3 March Wednesday 4 March Thursday 5 March Friday 6 March Saturday 7 March Sunday 8 March Monday 9 March Tuesday 10 March Wednesday 11 March Thursday 12 March Friday 13 March Saturday 14 March Sunday 15 March Monday 16 March Tuesday 17 March Wednesday 18 March Thursday 19 March Friday 20 March Saturday 21 March Sunday 22 March Monday 23 March Tuesday 24 March Wednesday 25 March Thursday 26 March Friday 27 March Saturday 28 March Monday 30 March Tuesday 31 March Wednesday 1 April Thursday 2 April Friday 3 April Saturday 4 April Sunday 5 April Monday 6 April Tuesday 7 April Wednesday 8 April Thursday 9 April Friday 10 April Saturday 11 April Sunday 12 April Monday 13 April Tuesday 14 April Wednesday 15 April Friday 17 April Saturday 18 April Sunday 19 April Monday 20 April Tuesday 21 April Wednesday 22 April Thursday 23 April Friday 24 April Saturday 25 April Do You Know What It Means To Miss New Orleans - Louis Armstrong - Special Louis Armstrong (Cassette) Louis, and New Orleans.
As the s drew to a close, I decided to move to New Orleans. Media at that time avoided reporting real conditions in the city, so I had no reservations about moving there. Obviously, the celebrated joie de vivre depictions of New Orleans in story and song helped influence my decision.
I stopped taking the morning paper because it was constantly stolen off my front porch. A thief broke into my car and stole my CD player. A neighbor lady was mugged and knocked to the ground as she was removing groceries from her car. While waiting at a traffic light, another neighbor lady was also thrown to the ground after being dragged from her vehicle by a carjacker who drove off with her purse and valuables.
A middle-aged neighboring couple refused to go anywhere without a loaded handgun for protection. New Orleans was already a crime-ridden city back in the s and in the years since crime has drastically increased.
It was the heyday of the civil rights movement, so news media focused on that issue only. Landrieu did acquire federal funding and implement tourist-related projects, but he left a city without sustaining industry, a stagnating economy, unemployment, poverty, out of wedlock births, families without fathers, and a growing crime epidemic.
Mayor Schiro approached problems pragmatically rather than idealistically. He integrated the schools peacefully and kept the city free from racial disturbances experienced by other cities. Democratic mayors following Moon Landrieu were also mediocre, claiming to help minorities while ignoring the festering crime and poverty that was harming minorities.
During the two terms of Mayor Ernest Morial, conditions in the city continued to decay. The mayorship of Ray Nagin also failed to address the unsafe neighborhoods, poverty, unemployment, and general lawlessness plaguing the city.
Bribery, money laundering, and other corruption during his administration eventually sent Nagin to prison. Mitch Landrieu and the City Council, aided by a complaisant media, ignore the proliferating crime and poverty, directing their attention instead to symbolic issues, currently the removal of long-standing Confederate monuments. These seven politicos naively believe that removal of these century-old monuments will supposedly make the city better. There are also some interesting cameos, e.
Shelly Winters. But the music is the real star. It feels quaint now to consider that this film practically apologizes for bringing jazz to society's elites. It uses classical music as a bridge to suggest that jazz might be worth appreciating. The Storyville section of New Orleans is notorious in history, and here is a valiant attempt to document its tale.
It appears that young wealthy members of New Orleans society are determined to enjoy the influence of ragtime and that oncoming scandalous music called jazz.
The elders of society are opposed and it ends up with Storyville being closed down. But that doesn't stop the rage of ragtime and the joy of jazz from spreading nationwide, and after taking Chicago by storm, it does just that.
Looking very much like Ava Gardner in "Show Boat", Patrick plays a socialite whose obsession with de Cordova turns her to a daily fixture at these establishments, makes her a lush, and ultimately destroys her life.
Lord's mother Irene Rich doesn't want her daughter to waste her time on de Cordova, and tries to bribe him into leaving Lord alone. Lord makes it big in symphonies around the world, while de Cordova continues to spread the joy of the music until he makes it to New York where Lord happens to be appearing.
Among those performing the music are Louis Armstrong and Billie Holliday who lead a rousing number, "Goodbye Storyville" and appear in the lavish finale. While there are obviously some missing or false details, "New Orleans" is a fascinating look back at a den of iniquity usually confined on the screen to the waterfronts of New York, San Francisco and Chicago. This isn't a great film by any means, but simply a pleasant look at a piece of history worth dramatizing in further detail.
DKosty 16 July Having recently visited New Orleans, the title of this one interested me and some parts of it appear to have been filmed there including the famous Cafe Du Monde French Market which is in a brief sequence and looks like it has not changed since the 's. It's nice that they at least put some of this great city into a film about jazz.
The cast is a whose who of music for the time period. Music is first and foremost here and I only wish there were even more in the movie. Arthur Lubin who later directed Mr. Ed tvees talking horse does a fine job behind the camera and with the pacing of this film. At about an hour and a half when I found it on You Tube, the film is really quite enjoyable.
The story is just enough to not get in the way of the music which is the star. Still for an obvious B feature, this movie has a pretty solid cast. If I had been born earlier, I would have liked to have had a private concert from Billie Holiday and then much more. Satchmo Louis Armstrong is star caliber here with music that is just great. Louis is one of the few musicians whose music has been used in more movie sound tracks since he died than when he was with us.
I have always been a big fan of his since I was a kid, and this is a rare look at him at the top of his game. When he sings in this one, his voice is not a graveled as it was later, but I could listen to him sing all kinds of songs.
I recently found a live recording by Armstrong of "Bare Necessities" that he introduces as done for Walt Disney Animated Robin Hood as I recall but Phil Harris in the movie and I like his version even better than the movie one. Disney put together Harris and Roger Miller on one of the better animated film soundtracks in Robin Hood. There is enough script here to give this one more than just the music.
There is the usual love angle, Do You Know What It Means To Miss New Orleans - Louis Armstrong - Special Louis Armstrong (Cassette), and the explanation of what the name "Satchmo" actually means which is in the movie.
There's the clash of races and differences in music, but there is some diversity as well here. Basin Street swings with Jazz and so does Chicago and most of the world by the time the film is over. That's the way it should be. Jazz is really the first music to integrate the races and it is truly an American music. There is some classical here too though it's the jazz that is the showstoppers. Woody Herman and his orchestra get a few minutes, but it's Satchmo and Billie Holiday who are the headliners.
I love the music and these performers. What is great is the idea of music bringing diverse people together. Once considered a lost film, I hope it's never lost again. This film of special historical significance because it is one of the few, or, often, the only Hollywood film, that showcases some of the early African American luminaries of jazz and blues, including noted singer Billie Holiday. As such, some reviewers complain about the major intrusion of whites into the story, and the placement of the major African American players near the end of the list of credits, rather than where they should be: near or at the top.
I agree with the latter complaint; however, not the former one To me, it's clear that the intent of the film is 4 fold:1 To acknowledge the importance of the New Orleans Storyland, in the development of American jazz and blues. I believe the screen play largely succeeds in these goals by incorporation of whites as well as African Americans as major players in the story In the film, the N. The film doesn't make Do You Know What It Means To Miss New Orleans - Louis Armstrong - Special Louis Armstrong (Cassette) crystal clear that Storyland was primarily legally established to concentrate prostitution there, to better regulate it.
However, historically, actually, it was the federal government that demanded that the district be disbanded, due to the deaths of a number of army trainees who visited the area. Clearly, it was regarded as a high crime area. Presumably, jazz establishments concentrated there because they too were only marginally accepted by the power elite, and because patrons of the brothels were also probably more likely patrons of the jazz emporiums Dorothy Patrick plays one of the major characters: Miralee Smith, a singer of classical music, who arrives by steamboat from Baltimore, to visit her mother and sing some classical music in an auditorium.
However, she clearly is attracted to Nick Anturo de Cordova : the owner of the best jazz and blues emporium in the city.
He hosts Louis Armstrong's band, and singer Billie Holiday. Also, he is white. Billie, who serves as the maid at the Smith's home, offers to chaperone Miralee to Nick's establishment, where she becomes more familiar with Nick, which eventually leads to them discussing possible marriage. However, Nick declines to take Miralee with him when he moves his business to Chicago. The disappointed Miralee then moves to Europe, where she performs classical music. But, before she leaves, she gives a concert, in which she tacks on a song she learned at Nick's: "Do You Know What it Means to Miss New Orleans", which serves as the de facto theme song of the film.
The patrons are horrified, and boo her off the stage. The only trouble, to my mind, is that this song was not played as jazz or blues, but rather as a perfectly normal ballad!
Well, eventually, Armstrong takes his band on a tour of Europe, and eventually meets up with Miralee. He tells her that Nick is doing well in Chicago, and that he pines for her. She decides to go to Chicago and meet Nick surprise! There, she gives a classical music concert, and again sneaks the film theme song in at the end. This time, she is relieved that the audience generally expresses their acceptance, rather than booing. Symbolically, this denotes the growing acceptance of jazz and blues by whites.
However, as I previously noted, this song again wasn't played in a jazzy or bluesy manner, thus I fail to see the intended symbolic significance! It's certainly not classic dixieland or swing jazz Woody Herman and his white band play a couple of jazz numbers ,thus symbolically demonstrating that some white bands were doing at least some jazzy or bluesy numbers, helping to further acceptance of these music forms among whites.
All in all, it's not a bad film, and, at least, we get to see and hear some of the big names in the early jazz scene. LeonardKniffel 11 April The simple plot involves a gambling hall owner from New Orleans who relocates to Chicago and entertains his customers with hot jazz.
The not-so-simple cast features music legends Louis Armstrong, Woody Herman, and the Do You Know What It Means To Miss New Orleans - Louis Armstrong - Special Louis Armstrong (Cassette) Billie Holiday in a rare film role, and they make an otherwise rather forgettable story a real treat for jazz aficionados. Do not watch this movie in real time. Rather, tape it or get the DVD so you can fast forward through every scene with just white people in it.
Do you know what it means to miss New Orleans When that's where you left your heart And there's one thing more I miss the one I care for More than I miss New Orleans The moonlight on the bayou a creole tune that fills the air I dream about magnolias in bloom and I'm wishin' I was there Do you know what it means to miss New Orleans. Nov 20, · Do You Know What It Means To Miss New Orleans Louis Alter & Eddie DeLange, Louis Armstrong, Billie Holiday, Fats Domino e|s| B| Louis Armstrong (August 4, - July 6, ) nicknamed Satchmo or Pops, was an American jazz trumpeter and singer from New Orleans, Louisiana. Coming to prominence in the s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo.
Do You Know What It Means to Miss New Orleans This song is by Louis Armstrong and appears on the compilation album Louis Armstrong Sings the Blues () on the compilation album In the 30's - in the 40's () on the album In Concert () by Louis Armstrong All Stars on the album.
Louis Armstrong Lyrics. "Do You Know What It Means To Miss New Orleans". Man, do you know what it means to miss New Orleans. Do you know what it means to miss New Orleans. And miss it each night and day. I know I’m not wrong, this feeling's gettin' stronger. The longer, I stay away. Oct 25, · 9 Things People Miss The Most About New Orleans When They Leave. I’ve only lived outside of New Orleans for about five years of my life–and boy did I miss my hometown! I felt like I finally understood what people meant when they sang the song, Do you know what it means to miss New Orleans? Here’s my top 9 things.
Do You Know What It Means to Miss New Orleans? arr. Kirby Shaw - Hal Leonard Corporation. Click to review. The ultimate musical tribute to the birthplace of jazz, this slow, bluesy standard has been recorded by all the greats - Louis Armstrong, Billie Holiday and Frank Sinatra, to name a few. There's no better way to salute the great legacy of.
St. Louis Blues: I Want A Little Girl: Sugar: Blues For Yesterday: Blues In The South: Do You Know What It Means To Miss New Orleans: Where The Blues Were Born In New Orleans: Mahogany Hall Stomp: Ain't Misbehavin: Rockin' Chair: Back O'Town Blues: Save It, Pretty Mama: St. James. As New Orleans is becoming less desirable as a place to visit, the popular s song “Do You Know What It Means To Miss New Orleans” is taking on a new meaning. This piece was originally printed in the Canada Free Press.
Dec 29, · 50+ videos Play all Mix - Do You Know What It Means To Miss New Orleans - Louis Armstrong YouTube Louis Armstrong - Basin Street Blues - .
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