"Home of the Brave" is not an essential work by Anderson (for that, refer to her later release, "Strange Angels"), and yet it does have its moments. Personal Favorites: The only two songs worth buying this CD are "Smoke Rings" and "Language is a Virus". Together, they make up 11 minutes of total play-time/5(36). Discover releases, reviews, credits, songs, and more about Laurie Anderson - Home Of The Brave at Discogs. Complete your Laurie Anderson collection/5(12). Feb 22, · Published on Feb 22, A recording of sheer musical joy of the song Language is a Virus From Outer Space from United States Live, her 4-disc live album. Later rerecorded as .
Her talky style of singing, slower and less rigidly rhythmic than rap, is unchanged from past releases, but she's supported by more traditional, melodious back-up singers. Anderson performs in and directed both Home of the Language Is A Virus - Laurie Anderson - Home Of The Brave (A Concert Film) (Laserdisc) and "Language Is a Virus," and the video bears the marks of her quirky but fascinating character.
A giant screen serves as a stage backdrop, appearing sometimes as a TV, sometimes as a blank surface with a few words highlighted in white. Anderson uses silhouettes projected against the screen to seemingly add members to the "cast" on stage. Laurie Anderson made a name for herself by adopting a style unlike anyone else's, a style that seemingly would keep her music out of the pop domain. It may not bring Anderson the same kind of critical acclaim she has enjoyed, but it may offer more financial rewards.
Sounds like a joke, right? Or maybe a rerun from Laugh-In? Nope, these guys are serious -- what's pathetic is that I'm not sure that they're aware how much their Language Is A Virus - Laurie Anderson - Home Of The Brave (A Concert Film) (Laserdisc) psychedelia" owes to other artists.
Lead singer Ian Astbury, 22, had the gall, or maybe just the lack of self-respect, to tell Creem magazine that he'd never heard of Jimi Hendrix until he was 18 or Whether you believe that or not, Language Is A Virus - Laurie Anderson - Home Of The Brave (A Concert Film) (Laserdisc), it makes evident just how shallow his dedication to his chosen style really is.
This "Revolution" is about "personal change, change within yourself," according to Astbury. He and guitarist Billy Duffy, formerly with Theater of Hate, were tired of the "negativity of punk" so they formed the Cult to spread peace and light in the modern world. Combining studio footage with concert clips, "Revolution" shows Astbury in Sgt. Pepper period finery, astride a large yin-yang symbol painted on the floor.
The other members of the band recline on cushions while smoky incense fills the room. McNultywho knew that Anderson and Bowie were friends. It was Anderson's first collaboration with Kronos Quartet and her first Grammy award, and was the second Grammy for Kronos. Inspired by her experience of Hurricane Sandy, Nonesuch Records said " Landfall juxtaposes lush electronics and traditional strings by Kronos with Anderson's powerful descriptions of loss, from water-logged pianos to disappearing animal Language Is A Virus - Laurie Anderson - Home Of The Brave (A Concert Film) (Laserdisc) to Dutch karaoke bars.
A minute virtual reality artwork, To the Moon allows audience members to explore a moon that features donkey rides and rubbish from Earth, in a non-narrative structure. Anderson has invented several experimental musical instruments that she has used in her recordings and performances.
The tape-bow violin is an instrument created by Laurie Anderson in It uses recorded magnetic tape in place of the traditional horsehair in the bow, and a magnetic tape head in the bridge. Anderson has updated and modified this device over the years. She can be seen using a later generation of this device in her film Home of the Brave during the "Late Show" segment in which she manipulates a sentence recorded by William S. This version of the violin discarded magnetic tape and instead used MIDI-based audio samples, triggered by contact with the bow.
The talking stick is a 6-foot-long baton-like MIDI controller. It was used in the Moby-Dick tour in — She described it in program notes as follows: . It is a wireless instrument that can access and replicate any sound.
It works on the principle of granular synthesis. This is the technique of breaking sound into tiny segments, called grains, and then playing them back in different ways.
The computer rearranges the sound fragments into continuous strings or random clusters that are played back in overlapping sequences to create new textures. The grains are very short, a few hundredths of a second.
Granular synthesis can sound smooth or choppy depending on the size of the grain and the rate at which they're played. The grains are like film frames. If you slow them down enough, you begin to hear them separately.
A recurring motif in Anderson's work is the use of an electric pitch shifting voice filter which deepens her voice into a masculine register, a technique which Anderson has referred to as "audio drag ". For much of Anderson's career, the voice was nameless or called the Voice of Authority, although more recently, it was dubbed Fenway Bergamot at Lou Reed's suggestion.
Anderson: I was carrying a lot of electronics so I had to keep unpacking everything and plugging it in and demonstrating how it all worked, and I guess I did seem a little fishy—a lot of this stuff wakes up displaying LED program readouts that have names like Atom Smasher, and so it took a while to convince them that they weren't some kind of portable espionage system.
So I've done quite a few of these sort of impromptu new music concerts for small groups of detectives and customs agents and I'd have to keep setting all this stuff up and they'd listen for a while and they'd say: So uh, what's this? And Language Is A Virus - Laurie Anderson - Home Of The Brave (A Concert Film) (Laserdisc) pull out something like Bergamot: this filter, and say, now this is what I like to think of as the voice of authority.
And it would take me a while to tell them how I used it for songs that were, you know, about various forms of control, and they would say, now why would you want to talk like that? And I'd look around at the SWAT teams, and the undercover agents, and the dogs, and the radio in the corner, tuned to the Super Bowl coverage of the war. And I'd say, take a wild guess. The single "Sharkey's Day" was for many years the theme song of Lifetime Television. She also contributed lyrics to the Philip Glass album Songs from Liquid Daysand contributed a spoken-word piece to a tribute album in honor of John Cage.
In addition, in lieu of making another music video for her Strange Angels album, Anderson taped a series of 1- to 2-minute "Personal Service Announcements" in which she spoke about issues such as the U. Some of the music used in these productions came from her soundtrack of Swimming to Cambodia. From Wikipedia, the free encyclopedia. Redirected from Lori Anderson. For other people, see Laurie Anderson disambiguation. Avant-pop art pop  electronic.
The New York Times. Retrieved July 17, The Record: Contemporary Art and Vinyl. Retrieved February 8, Retrieved June 12, Liner note essay. New World Records.
Archived from the original on December 1, Chicago Reader. Retrieved October 2, September April 25, Yahoo Music. October 6, Retrieved October 7, In Randy Rosen; Catherine C. Brower eds. Making Their Mark. Women Artists Move into the Mainstream, — Abbeville Press. Laurie Anderson, Language Is A Virus - Laurie Anderson - Home Of The Brave (A Concert Film) (Laserdisc). Documentary Film".
Silicon Valley Radio. Web Networks, Inc. Archived from the original on October 12, Retrieved November 10, Accessed February 25, Anderson with her dog Willie near her home in TriBeCa. Archived from the original on September 27, June 5, Alchemica Productions. Asia Society. Retrieved April 11, Retrieved March 21, Retrieved April 24, Retrieved May 7, Archived from the original on January 14, The Washington Post. June 30, Archived from the original on September 30, Archived from the original on January 19, Archived from the original PDF on August 3, Archived from the original on September 7, Retrieved August 8, Retrieved January 2, Archived from the original on July 22, Retrieved September 2, May 12,
While "Home of the brave" the album carries some of the exclusive studio mixes in its own right - "White Lily", "Talk Normal" and "Language Is a Virus" respectively, only a tiny bit ("Radar" and "Smoke Rings") is carried over from the original film. 1. Laurie Anderson, "Language is a Virus (for William S. Burroughs)," United States, I-IV (); Language is a Virus, Home of the Brave (). 2. I am aware of the pernicious power of ways that the "virus" metaphor has been deployed. May 26, · Home of the Brave was the fourth album release by Laurie Anderson, issued in Released by Warner Bros. Records, it was a partial soundtrack album of her concert film of the same name. Three of the eight tracks on the album were recorded in the studio and thus differ considerably from the filmed versions. A music video for "Language is a.
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"Language Is a Virus", the track most people will be familiar with from this album, was part of the United States project. Otherwise, Home of the Brave largely stands on its own as a continuation of themes from that performance, but evolving into something new and concise that Laurie Anderson could put on film. Soundtrack release for Laurie Anderson’s concert film. The film was composed of live performances of performance art and spoken word pieces, songs from the Mister Heartbreak album, and new tracks.
May 25, · Anderson is a performance artist: For her, the visuals count as much as the music. In fact, Anderson's video, "Language Is a Virus," is taken from her first feature film, Home of the Brave, a.
Home of the Brave is a American concert film directed by and featuring the music of Laurie Anderson. The film's full on-screen title is Home of the Brave: A Film by Laurie Anderson. The performances were filmed at the Park Theater in Union City, NJ, during the summer of The film included appearances by guitarist Adrian Belew, author William S. Burroughs (who famously briefly . Laura Phillips Anderson (born June 5, ) is an American avant-garde artist, composer, musician and film director whose work spans performance art, pop music, and multimedia projects. Initially trained in violin and sculpting, Anderson pursued a variety of performance art projects in New York during the s, focusing particularly on language, technology, and visual imagery.
Jan 04, · Home of the Brave is the fourth album by Laurie Anderson, released in by Warner Bros. Records. It is a soundtrack album to her concert film of the same name. Three of the eight tracks on the album were recorded in the studio and thus differ considerably from the filmed versions.5/5(5).
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