Jun 26, · The next video is starting stop. Loading Watch Queue. Jun 28, · Song Too Hot Ta Trot (Single Version) Artist Commodores; Licensed to YouTube by UMG (on behalf of Motown); LatinAutor - SonyATV, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, LatinAutor, CMRRA, EMI Music Publishing, SOLAR Music Rights Management, ASCAP, and 6 Music Rights Societies. Def Rock Krew – Too Hot To Trot / Don’t Stop () (Melô do Locha) TracklistA1-Too Hot To Trot (Vocals)A2-Too Hot To Trot (Instrumental)B1-Don’t Stop (Vocals)B2-Don’t Stop (Instrumental) Tracklisting: A – freestyle – dont stop the rock B – freestyle – dont stop the rock .
Some see the origin of this sentimentalism in "colonial tragedy". So it is understandable that many Koreans tend to be sad or compassionate when they hear Trot songs. Sentimental words like 'crying' and 'leaving' have been consistently the most popular. Trot music is mainly performed by one singer or at most duet. It is rare for a Trot singer to play any instrument while singing.
The playing of the instruments has something of an accompaniment function. The song usually being played by a band orchestra. Band orchestras use mostly backing vocalsusually consisting of 4 female vocalists, but rarely of Too Hot To Trot (Vocals) - Def Rock Krew - Too Hot To Trot / Dont Stop (Vinyl) vocalists. The Trot music shows often include a group of dancers. Thus, a typical broadcasting band orchestra for Trot consists of instrument players, chorus and dancers.
Of course, it is possible for a singer to perform a song accompanied by one or two instruments; e. Joo Hyun-mi sings in her YouTube channel, accompanied only by guitar and accordion. Since there are few Trot singers and songwriters, a Trot singer often gets his own singing style with the composer who always prepares a song for release with the singer.
The name trot has been widely used since the s, even though the designation itself dates back to the s. Calling trot jeontong-gayo may implicitly refer to national self-confidence and give people a sense of self-esteem, [ clarification needed ] so that the uncomfortable suspicion of foreign origin would be eased. Trot music originated in Korea during Japan's period of colonial rule from to It is generally admitted that Trot's closest ancestors were Japanese enka.
After the liberation of the Korean peninsula, however, Trot has continued on his own path. It was true that a genre of 'Sin-minyo' i.
Arirang or 'Taryeong' songs [nb 3] accompanied by western instruments. It is an old controversial issue whether Trot originated during Japanese colonial rule and thus is not a genuine Korean popular music.
This problem has caused quite a stir twice. Once the government took a position in the s that the supposedly 'Japanese-tinged' songs suffered at the hands of the censor. The second discussion took place by the musicians and cultural critics in the 80s, called 'Ppongjjak debate'.
The particular hostile emotional response to the former Japanese colonial rule has led the government to banish the Japanese legacy. This also happened in the cultural area. There were listed songs that seemed to have been influenced by enka. To it responded the singer association with the vehement protest. After that, in 'Art and Cultural Ethics Commission' the earliest commission of today's 'Korea Communications Standards Commission' decided to banish songs and later more; the reasons were mainly 'obscene, vulgar, degenerated and Japanese-tinged".
She once recalled, Too Hot To Trot (Vocals) - Def Rock Krew - Too Hot To Trot / Dont Stop (Vinyl), "The then President Park Chung-heewho was blamed for the censorship, did not know that the song had been banned, so he asked her to sing it at a banquet.
The ban on "Camellia Lady" and others was lifted in However, this kind of 'nervous' censorship, which finds much of its breeding ground from past history, is still ongoing. Just as "Japanese-tinged" Trot songs were banished, so the anti-Japanese leftists in the s insisted on having to replace the school songs composed by pro-Japan musicians.
In this dispute entered the national discourse in South Korea. Because the genre was borrowed from Japan during the colonial period of Korea, as well as incorporated Japanese song influences in Changga, the genre has been subject to questioning its Korean identity. This Korean identity question is subtly rooted in the argument that the Japanese cultural suppression policy  led to Koreans uncritically accepting the popular music Trot influenced by enka.
An anti-Japanese critics went so far as to tag Trot as oddments from Japanese colonial period. Before the s, there was little information about popular Western music. To detail Trot music's beginnings, the following songs are presented as 'forerunners':.
It is often regarded as the first 'Yuhaengchangga'. Yun Sim-deok was a soprano. She had an affair with a married man, with whom she ran away and escaped: on a boat trip to Japan inshe threw herself into the sea with the lover - there is a Korean film about this story. After her death, just such a story made the song widely known. The song was not originally composed, but Yun Sim-deok wrote lyrics and then transferred it to waltz melody of " Waves of the Danube " by Ion Ivanovici.
The song itself actually contains few of the characteristics of Trot. Several singers, e. The song became popular because the encouraging mood, evoqued by a beat typical of marching songs, was appealing to those Too Hot To Trot (Vocals) - Def Rock Krew - Too Hot To Trot / Dont Stop (Vinyl) by Japanese rule.
This genre is characterised by satirical storytelling; hence its songs were also known as 'comic' songs. Some analyze the genesis and the circulation of this genre in the Japanese colonial era from a socially Too Hot To Trot (Vocals) - Def Rock Krew - Too Hot To Trot / Dont Stop (Vinyl) point of view. Whether this music actually had the educational function and had an effect on the catharsis of desire in society remains but open.
Johnson 's "The Laughing Song" In the period of colonial rule, pop culture in Korea was clearly influenced by Japan, and Western culture primarily from Christian missionaries. Many musicians, such as Yun Sim-deok, Chae Gyu-yeop, and Park Hyang-lim, were educated in Japan or by institutions founded by missionaries. They imitated songs from Japan, or hymns and melodies from the West.
In the s there were few Korean composers who wrote original popular music. In the s, Korean songwriters began composing original popular songs whose unhemitonic pentatonic scale were typical for Trot as well as for enka.
This song marked a milestone in Trot music. In Okeh records company was founded, which promoted the development of Trot and produced a lot of hit songs. Beforeminor and pentatonic scales were predominant in Trot. Thereafter the major key was used more often. This did not occur in Japanese enka at the time, hence the development is considered peculiar to Trot. But in the early s, the country was overshadowed by the Pacific War.
Nevertheless, several songs have been released during the s see below list. They are considered to be among the most significant examples, whose rhythms and moods profoundly influenced the development of the genre. So it is hardly possible to speak of Trot without these songs. After Japan's colonial rule over the Korean Peninsula and the Korean War, few remnants were left of the music industry since survival remained many people's priority.
Record companies, most of which were founded in the colonial era, began to struggle. Yet vinyl records were the primary way to distribute music to the population since radios were not easy to purchase in the '50s; according to estimates, aboutradios were supplied nationwide in In fact, many Koreans who were able to English had absorbed the western culture from this channel. Songs were released as singles or, sometimes, as EPs.
LP record album production began in In the s, two aspects should be emphasized. On the one hand, war and its effects had left its mark on Trot music; wartime was reflected in songs. This song has been subsequently remade by many Trot singers. On the other hand, some tried to overcome the devastation war brought.
But interestingly enough, Trot music, and modern Korean music as a whole was revitalised from cultural exchange in US Army clubs. These clubs were the linchpin for some entertainers. The US army also enjoyed Korean artists. There were two types of these stages; one was housed in the garrisons - in addition to Yongsan Garrison, the Camp Market club in Bupyeong District was also very popular.
They got to know different genres like blues, jazz, swing, tango, contemporary folk and country music, etc. As a result, fundamental changes of song titles, lyrics and rhythms in Korean popular music took place. A lot of the famous rock bands and singers in the 60s and the 70s had their roots there. Female trio singers The Kim Sisters became popular during this time, as their performances drew appeal from American soldiers and audiences, catapulting them to fame when they performed on The Ed Sullivan Show during the s.
But the different genres have actually had little to do with the melodies of Trot. They were more of an inspiration to diversify and modernise. Only the name 'blues' in the titles had been widely used since the s; this obviously came from Japanese examples. During this time, songwriters came up with songs by giving newfangled titles in English: e. The country was slowly recovering from the aftermath of the war, although the political situation remained unstable.
Despite this political turmoil, pop culture continued on its own path. Songwriters and singers who had picked up fresh ideas from US Army clubs and cultural exchange with Westerners, incorporated them into Trot.
Modern sensibilities fused with those traditional to Korea in new songs. Its success swept across the country, so the singer from a nobody became a star. A few years later, a new Trot singer rose to fame. Through her numerous hit songs and over two thousand Trot songs she has released during her year career, she is the singer of Trot par excellence.
Well, the two songs evoque different images of people at the time. The image of the "Yellow Shirt Man" bursting with vitality was portrayed, but "Camellia Lady" was the traditional female figure in Korea who practices patience and fidelity in marriage. Therefore, in composing he oriented more on contemporary American pop, which he was familiar with in US Army clubs, than the sensibilities and tone of conventional Trot. Through these composers and others, Trot music became multifaceted, livelierm and more spirited.
The two following individuals were among the most successful Trot singers in the '60s, known for their distinctive bass-baritone voices. Other relative hits had less of a conventional Trot sound and more of a classic pop sound, despite being in duple metre like most Trot. His early death at age 29 by nephritis and his songs made him a Trot legend. The deeply vibrating soft voice was his trademark. After his death inmany tried to imitate his singing style. It was suspected that several fake LPs, released under the name Bae Ho, should have been in circulation.
Bae Ho and Nam In-su were the singers whose voice was often forged. By analyzing his voice, a few his LPs were actually identified as counterfeit. This is the frequency of a male average voice in a normal conversation. So it was explainable that his voice sounded so gentle while singing. In the s, the government intervened in popular culture and banished such songs that it considered ' Japanese-tinged ' or 'unsound' while promoting the 'sound' songs.
This included the traditional folk song. It almost seemed like she was a Trot singer, but that was a unique phenomenon. The popularity of Sin-minyo lasted until the first half of the s. The young generation, born after the liberation of the Korean peninsula, now appeared on the Trot stage and later became leading Trot singers in the s.
These singers have since released many songs of Park Chun-seok, and earned the nickname 'Park's troop'. In this decade, several composers also made their name known, among others Lee Bong-jo, Gil Ok-yun, Shin Jung-hyeonJeong Min-seop, all later composed a significant number of works.
South Korea became industrialised in the s. As economic growth began, ordinary people became more and more interested in cultural life. Mass media such as radio and TV made Trot widespread across the country - the household ownership of televisions rose rapidly from 6.
That's one factor in the rise of Trot music in the 70s. The other was the young generation born around the time of liberation in Even though they debuted in the 60s they have since become Trot icons.
SinceMunhwa Broadcasting Corporation has hosted a popular variety show entitled 'MBC Ten Singers Match'; 5 singers each female and male are running in the team competition, and at the end of the show one of them will be chosen the best singer. The program was broadcast on the radio untilthen on television. This can be meaningful evidence that showed the popularity of Trot in the 70s.
A research sums up 59 songs that were presented in a weekly music program on TV as well as in the aforementioned festival in the 70s, also shows the same result. With the proliferation of mass media, contemporary folk music from the United States slowly found its audience as well as performers, who led since the 80s one of the mainstreams of popular music in South Korea.
They were indeed the first pop idols in South Korea. I know it roughly means something like attractive or sexual, but thinking about it literaly i figured it might mean too good-looking to walk! They had a rule whoever touched a certain tract of land first would own it.
So naturally they were quick Too Hot To Trot (Vocals) - Def Rock Krew - Too Hot To Trot / Dont Stop (Vinyl) the move, thus the term "Hot to Trot". I think it would mean about the same thing you think it means. I tried to look it up several places and was unsuccessful. However, I did find this one particular site where you can actually submit phrases if they do not appear on the site already.
Perhaps you can submit the phrase and see what they can come up with It might be quite interesting to find out! You're right about it meaning a person who is very attractive, and I think I know the origin. When a horse runs fast and for a long distance, he lathers. He sweats, and it forms a soapy looking lather on his skin.
The rider will slow him down so he can cool off. When you slow him down to a walk, he's considered "too hot to trot. Beauty, I think, factors in personality and that indescribable presence that some women have. Trending News. CEOs, companies that support Trump, Biden. Bush electoral comeback offers hope for Trump.
Hot to Trot is a American comedy film directed by Michael Dinner, written by Hugo Gilbert, Stephen Neigher, Charlie Peters and Andy Breckman and stars Bobcat Goldthwait (credited as Bob Goldthwait), Virginia Madsen, Jim Metzler, Dabney Coleman and the voice of John sioprovcabradeperfscormarcodenmenssol.co follows an investment broker, who teams with a talking horse who helps him make smart investment tips. May 07, · This Site Might Help You. RE: what does "too hot to trot" mean? I know it roughly means something like attractive or sexual, but thinking about it literaly i figured it might mean too good-looking to walk! i.e. you're looking pretty perfect in your heels and your perfectly arranged hair, and you need to be driven! does anyone have a detailed definition or. 9, Followers, 1, Following, Posts - See Instagram photos and videos from 💗 (@sioprovcabradeperfscormarcodenmenssol.co) posts.
Nov 24, · I have to admit that I don't know many trot songs and that I don't know much about the genre, but I really like these two: Yu Haeun - Answer Me, My.
Watch: New Singing Lesson Videos Can Make Anyone A Great Singer (Too hot to trot, say what, too hot to trot) (Too hot to trot) Well, you're too hot to trot now, baby Well, you're too hot to stop, whoo, baby Well, you're too hot to trot now, baby Well, you're too hot to stop, whoo, baby The things that you do The things that you say That you love me baby In the strangest way What you're doin. As you can clearly tell already, my favourite Trot Artist is Jin Young. She clearly has proven to be my Bias, and maybe even my Ultimate Bias, she has a great personalty, if you watch Sister's Slam Dunk you would what I'm talking about, she's a hard worker, a great singer, she always bring joy and entertain her audience, she's an beautiful person, and one of the best Trot Singer.
Jun 21, · Trot, Trot, Trot! is a simple little song which you can sing with a horsey puppet, but best of all little ones love being jigged up and down to as a knee bobbing song! Trot Trot Trot: Knee Bobbing Song. Trot, trot, trot, Go and never stop! Trot along my little pony! * Trot, trot, trot, Go and never stop.
The Commodores "Too Hot Ta Trot": Well you're too hot ta trot now baby Well you're too hot ta stop whoo baby Well you're too hot ta tr. Trot is known for being composed in a two-beat rhythm, also known as duple sioprovcabradeperfscormarcodenmenssol.co its early days, Trot music was often composed using the pentatonic scale and minor sioprovcabradeperfscormarcodenmenssol.co pattern is called anhemitonic scale or anhemitonic pentatonic scale, which was characteristic in early Japanese enka and other folk music such as Korean 'Gyeonggi-minyo'. The pentatonic scale consists of five degrees.
Def Rock Krew - Too Hot To Trot-Don't Stop (Vinyl, 12'' )(14CT Diamond Records) (kbpskhz) (MP3).
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